Capture the Moment!

Here are all my posts on photography, covering techniques, trips, research, exhibitions, talks and workshops. Watch out for my latest article every Saturday.

I’ve also written dozens of articles for Expert Photography and Camera Reviews.

If you’d like to contribute a guest post on any aspect of photography, please email me at nick@nickdalephotography.com. My standard fee is £50 plus £10 for each dofollow link.

Note: Some blog posts contain affiliate links to Amazon.com and Amazon.co.uk. As an Amazon Associate, I earn from qualifying purchases.

Canon EOS R1 Review

When I first became a professional photographer, a friend told me I should either buy Canon or Nikon. I didn’t want to own anything made by a photocopier manufacturer, so I chose Nikon!

I now have a Nikon Z8 and a Sony ⍺1, but what about the Canon EOS R1? It’s been three years since the release of the R3, and the R1 is now supposed to be Canon’s flagship mirrorless camera. Am I tempted?

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How to use Pre-release Capture

OM System has had Pro Capture Mode for years, the Canon R1 now has Pre-burst Capture and the Nikon Z8 and Z9 have Pre-release Capture. However, Sony doesn’t have any equivalent, and that used to be very frustrating. My two ⍺1s were probably the best on the market for wildlife photography, but they couldn’t ‘turn back time’. So what did I do? I exchanged one of them for a Nikon Z8!

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Mix and Match

When I turned professional in 2013, I went through a succession of Nikon DSLRs: first the D800, then the D810 and finally the D850. They were good cameras, but I wanted something more. When the Sony ⍺1 came along, offering eye detection and 30 fps shooting, I took the mirrorless plunge—but now I’ve gone crawling back to Nikon! Why…?

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Mirrorless Head-to-head: Canon R3 v Nikon Z9 v Sony ⍺1

Now that mirrorless cameras are wiping the floor with DSLRs—at least at the professional end!—let’s take a look at the three main contenders for the best mirrorless wildlife camera on the market: the Canon R3 (unless you prefer the R5’s higher resolution!), Nikon Z9 and Sony a1.

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What Lenses do you Need for Wildlife Photography?

Size isn’t everything, as they say, but there’s nothing like the power, reach and feel of a long lens. It gets you where the action is and lets you take close-ups of skittish and possibly dangerous wild animals. You still need other types of lenses, of course, but they’re far less glamorous!

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What Camera do you Need for Wildlife Photography?

“Hello, my name’s Nick, and I’m a cameraholic.”

There’s something very addictive about buying a new camera. You get obsessed with the idea of owning something that has the latest features, and you simply have to have it…!

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What's the Best Canon Mirrorless Camera?

When it comes to the best mirrorless cameras on the market, the Sony a1 and the Nikon Z9 are neck-and-neck. A little way behind—but not too far!—are the Canon EOS R3, R5 and R5C. So which one’s the best?

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How to Use a Mirrorless Camera

Most people buying a mirrorless camera these days will be switching from a DSLR. Using a mirrorless is a little bit different, so here’s my guide to help you make the transition.

There are a few key differences, and I’ve divided them up into which camera to buy, how to customise it, which settings to use, plus sections on shooting mode, the EVF and custom buttons.

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Lens head-to-head: Canon v Nikon v Sony

This article considers mid-range zooms, lenses that I’d consider to be your ‘workhorse’.

For wildlife photography, I’d recommend getting a long lens that is at least 400mm, and these three are roughly equivalent, depending on whether you have a Canon, Nikon or Sony camera body.

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Camera head-to-head: Canon v Nikon v Sony

Canon, Nikon and Sony are the three premier brands in photography equipment. I opted for Nikon, and I’ve been regretting it ever since!

No, not really, but I’m sick to death of the low frame rates. My D850 only manages 7 fps, and even with a battery pack it’s only 9 fps, which is pitiful compared to the 20 fps offered by the top-of-the-line Canon and Sony cameras.

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